Es bleibt abzuwarten, wer als nächster die Trägheit überwindet und den britischen Jugendlichen hilft, in ihrer Freizeit mehr als nur Mods und Rockers zu sein.
Englands Jugend – zwei ziellose Lager? (NZZ vom 26. September 1964)
http://www.youtube.com/watch?v=EQprZUE22x0
Burroughs: The Movie Part 1
(Documentary (1983) profile of writer William Burroughs, with readings by Burroughs from his own work plus film of his family and son), via Dangerous Minds
continue reading…
Paris ist Paris auch ohne Eiffelturm; auch ohne Chrysler Building ist New York New York. Was eine Stadt ausmacht, ist das, was bleibt, wenn man sich die Sehenswürdigkeiten wegdenkt. So betrachtet, bliebe von Las Vegas nichts übrig.
Stefan Betschon – Stelldichein mit der Zukunft
For me it was escapism, I’m creative but I come from a family where you either worked or went into crime so I had no-one pushing me in that direction.
I’d gone out Christmas morning, done it quickly and just thought ‘fuck it’. I didn’t even know how to post it on the Internet afterwards let alone think it would cause the fuss it did.
It also gave me the opportunity to shine a light on graffiti, to show that writers aren’t just spotty teenagers that draw on bus-stops, we can be witty and funny in a way Banksy can’t, because he’s not radical he’s just a toy with a PR team.
Over the years negative connotations associated with graff have been exaggerated, it’s unreal that people can end up in prison for a long time, yet someone puts up a stencil and that’s OK, because it brings tourism to Shoreditch.
Social commentary or not, Banksy is the Tesco of the art-world, what he promotes is tacky, mass-produced shit that provokes a reaction to make himself money.
People forget that some of the greatest artists died broke, money isn’t an indicator of skill.
I’d love to do a 30ft silver dub on the Great Wall of China, imagine that? They’d have me assassinated, but it’d be beautiful.
«King» Robbo – My Graffiti War with Banksy
Fear and Loathing in Gonzovision 1/6
Fear and Loathing in Gonzovision 2/6
Fear and Loathing in Gonzovision 3/6
Fear and Loathing in Gonzovision 4/6
Fear and Loathing in Gonzovision 5/6
Fear and Loathing in Gonzovision 6/6
Klar, in der postfordistischen Gesellschaft ist derjenige der größte Künstler, der am meisten Netzwerkkapital anhäufen kann und am sichtbarsten ist. Beziehungen sind die Währung, bestimmt. Aber ich bin ja kein Soziologe.
If you want a boost in productivity, try rethinking how you multitask so that you only ever need to think about one thing at a time.
Aza Raskin – Think You’re Good At Multitasking?
The Hip-Hop Word Count: A Searchable Rap Almanac
#support Hip-Hop Word Count™
Best of Moodmail 2010 (Inspiration monthly – stolen and compiled by Dave Marshal)
#ffffound aus bern, aber als mail. pflichtprogramm. big up!
